I have never believed the figures aberrant associations, unions and associations of editors aired on the assumption billion damage that piracy causes to the book industry. However, what I have believed that in recent years have not been able to adapt to the times, and now they are getting late and wrong. No one doubts the Libranda fiasco, or the prohibitive prices still have the history of english literature book in electronic format, not to mention their VAT outdated. It is inexcusable that, for example, the latest novel by Carlos Ruiz Zafon cost 22.90 We are students of Third Year of the School of Linguistics Applied to Translation, English-Japanese mention of the University of Santiago de Chile and through this blog we will share knowledge of the language of Japan and its wonderful culture, with everyone wishing learn. Welcome all to Nihongo Wo Benkyoushitai. ~. Ryu Murakami (村上 龙) was born in the city of Sasebo, located in Nagasaki Prefecture, on February 19, 1952. He lived there throughout their school years. For higher education (high school) participated as a drummer in a local rock band in the studio of rugby and then the school newspaper. In addition he was under house arrest for three months due to a barricade made at school with friends. Ryu Murakami was not the typical Japanese teenager, was highly interested in art and hippie culture it was for this reason that as soon as he graduated (1970) traveled to Tokyo to study silkscreen Gendaishichosha art school. But he left the race shortly after and turned to shoot independent films. In 1972 he moved to the city of Fussa (in the prefecture of Tokyo), where he lived near a U.S. Navy base and enrolled in the career of sculpture at the University of Musashino. It was during this period he wrote his first novel (and that brings us here now) Almost Blue tranparent (限りなく 透明 に 近い ブルー To interpret the world from the left, "the real", not that one, the cowardly, the tibia, the peacemaker, one who, little by little, he has been adapting to the current status, one that is left co-opt prevailing power. The book In a few days, on April 23, will mark World Book Day, a commemoration, the work of the Organization of the United Nations Educational, Scientific and Cultural Organization (UNESCO), celebrated since 1996 to promote reading. On the occasion of this day-as a mere excuse-I would like raising any debate that takes a rich literature by subject Bierzo. This will count on the invaluable help of fellow journalist and writer Valentin Carrera, author of, among many other books, The Poetics of Aristotle is a work written in the fourth century C., between the founding of his school in Athens, in 335 a. C., and his final departure from the city, in 323 a. C. Its main theme is the aesthetic reflection through the characterization and description of the tragedy. Apparently, the work was originally composed of two parts: 2 a first book about the tragedy and the epic and a second on the comedy and poetry iambic was lost, apparently during the Middle Ages, and of which nothing is known. Basically, the Poetics has a job definition and characterization of the tragedy and other imitative arts. Alongside these considerations there are other, less developed, about the history and comparison with poetry (the arts in general), and other linguistic considerations on mimesis. The Poetics is one of Aristotle's works traditionally known as esoteric or acroamáticas. This implies that there would have been published, it was a set of notebooks for teaching and serving as a guide or point to the teacher. They were intended to be heard and not to be read. The oldest manuscripts containing the text of the Poetics (and without the comedy) is the 1141 Parisinus codex, written in the late X or early XI century. This work was published in 1963, and the author, the Argentinian Julio Cortazar is defined as a contranovela. Much has been written about Cortazar Hopscotch and in particular, since the approach that the author gives not only the novel but the meaning of it, was and is absolutely revolutionary. Hopscotch is perhaps the epitome of a role reversal. The reader is leading and creative step that the author is. One of the most interesting features is the way in which the author proposes that it be read. One option is to read in a traditional manner. From first to last page in this order. The second option is to read in the order the author suggests, alternating chapters. In less explicitly proposed to read in any order. The structure of this work supports all these variations without losing any quality or minimum value. I deliberately did not tell the story, as it is totally secondary to the work. The subject is deep, trying to love, jealousy and other passions of a wise and creative. Cortazar's genius shows us literature from the most acute angle. For an artistic experience is primarily an emotional experience, which is rationalized to a greater or lesser degree. Read hopscotch is a rational experience what happens then so emotional. It's almost a show of intelligence and sensitivity at a time. But the intellectual predominates over the emotional, which is an unavoidable consequence of the former. At the time, was defined as an anti-novel Hopscotch, which particularly displeased Cortázar. It is simply an approach from another angle, not the opposite concept. Birth: after studying Arabic, converted to Islam and create a new identity in Yinín (Palestine), Salas